![]() Regardless of how you juggle instruments, you’re left with just nine basic tunes. To begin with, while it’s great that you can change instruments (and therefore the accompanying parts), the band always plays the same tune. This is a good thing if you want to pull just the drum part from one of the tunes and leave the rest of the band behind. When you drop a part and later export the project, that part is missing from the mix. This is useful if you want to play the bass part, for example, without one of the virtual instruments stepping all over you. ![]() For instance, when you select Drums and change from Bebop Sizzle to Funky Groove, you hear a completely different drum set and part-one that, well, grooves more.īy selecting an instrument and choosing the None option, the instrument is dropped from the mix. Changing instruments alters not just the sound of the instrument but the part it plays. For example, change a Straight Ahead guitar in the jazz ensemble to a Gypsy guitar. Once selected, you can change the specific kind of instrument that player plays. Click Audition, a curtain opens, and you can select each of the five instruments. The professional-sounding band begins playing. To work Magic GarageBand, just select a genre, choose to listen to either a snippet or an entire song, and click the Play button. Less noticeable changes are a Print command for printing notation from a selected Software Instrument track, the Normalize export option that attempts to raise the overall volume of a recording if it’s deemed too quiet, the ability to apply a greater number of effects to a selected track, configurable Compressor and Track Reverb effects, and a Fade Out command for gradually fading the last seconds of your project. And in its fourth iteration, Apple’s music creation/podcasting/movie-scoring application adopts improvements largely targeted to musicians and musician wanna-bes, though podcasters will find a couple of less-touted features to like.Īmong these major new features are Magic GarageBand, a limited backup-band-in-a-box arrangements, which lets you view your music by sections (verse, chorus, verse, for example) multi-take recording where you can loop-record and automatically save “takes” from each pass Visual EQ, a way to graphically adjust frequencies in each of your tracks support for higher-resolution audio and an automation feature that lets you change a track’s (or the entire composition’s) EQ and effects (and, in the case of the Master Track, tempo).
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